Pandit Kishan Maharaj was a titan of the Tabla. Belonging to the Banaras Gharana, his style was marked by power, clarity, and intricate mathematical calculations. Unlike the soft style of other gharanas, the Banaras style involves playing with the full hand, producing a resonant, thunderous sound.
He was known for his versatility, capable of accompanying dancers (Kathak) and instrumentalists alike, as well as performing solo. He was a charismatic performer, often sitting in the 'Veerasana' (hero's pose) while playing, rather than the traditional cross-legged position.
He played a crucial role in popularizing the tabla as a solo instrument, commanding respect equal to the main melody artist.
The most spectacular and bustling ghat in Varanasi, famous for the Agni Pooja (Ganga Aarti). Legend says Lord Brahma sacrificed ten horses here, making it a site of supreme cosmic power and vibrant daily devotion.
The Mahashmashana or 'Great Cremation Ground.' It is believed that the fires here have never gone out for centuries. Hindus believe cremation here grants immediate liberation (Moksha) from the cycle of rebirth.
The southernmost ghat where the river Assi meets the Ganges. Famous for its 'Subah-e-Banaras' morning program, yoga sessions, long-term student residents, and a more tranquil, bohemian atmosphere.
